The Volcanos of Tamaki Makaurau

This exhibition will open onSunday 28th of November from 11 to 4pm at 28 Ethel St Morningside, Auckland.

It will be on until December 4th. Hours Tues- Fri 11-5pm, Sat & Sun 11-4pm

Enquiries: 021639789 

From Maungakiekie.  Three panels, each panel 60 x 12
From Maungawhau.  Three panels, each panel 60 x 12
From Raingitoto.  Three panels, each panel 69 x 12
From Manukau Heads to Māngare Mountain.  Three panels, each panel 60 x 15
Pukekawa and the War Memorial Museum.  120 x 30
Mangawhau Summit.  83 x 17
Maungakiekie from Mangare Mountain  60 x 9
Mangawhau from Maungakiekie.  48 x 19 cms
In the Stonefields.  Three panels, each panel 30 x 20 
Otuataua.  84 x 15
Logan Campbel’s Olive Trees.  60 x 18. Three smaller images 20 x 11.
Te Tātua-a-Riukiuta / Three Kings.  30 x 20
Te Tātua-a-Riukiuta / Three Kings.  30 x 20

Māngare Mountain.  30 x 20
Pukeiti.  30 x 2
Maungawhau / Mt Eden.  30 x 20
Puketūtū Island.  30 x 20
Motukorea / Browns Island.  47 x 10

Pukakawa and the War Memorial Museum

The quickest way to get to art school was to walk across the Auckland Domain. I would leave our student flat in Parnell and walk past the front entrance of the Auckland War Memorial Museum, cross the sports fields, past the little hill covered in English oak trees in the centre of the sports fields, past the wintergardens and the tea kiosk then down the path through the trees that followed the creek draining the duckpond. I’d pop out of the bush onto Stanley Street and pick my way through the earth moving machinery. It was 1973. The motorway was being pushed down Grafton Gully into the city.

At the Art school next to Grafton Gully I’d often find myself in the library flicking through art books. Should I push the paint around like Oscar Kokoschka did in his pictures of the Thames? Should I spread the paint out like David Hockney’s bright, clear Californian swimming pools. Should I splash the paint about the way Ivon Hitchen’s did with his rapid blocks of colour. His Sussex mill ponds did look a bit like the Domain duckpond.

Sometimes on my way home I’d be carrying the sketchpad so I‘d draw. My drawings of the duckpond came nowhere near Ivon Hitchen’s splashes of colour but I liked the way the trees cast shadows across the grass. I liked the way the afternoon sun lit up the front of the museum. I liked the way the it looked like a giant stranded spaceship and I liked the formal English oak trees growing on the strange little central hill.

Recently I took the walk again. This time I was better informed by reading Bruce Hayward’s Volcanoes of Auckland – A Field Guide and Lucy Mackintosh’s Shifting Grounds: Deep histories of Tamaki Makaurau Auckland.

The vast flat lawn was once a lava lake from an ancient volcano that erupted over 100,000 years ago. It slowly filled to become a wetland which was then drained and flattened to form todays sports fields and cricket pitches. The museum sits on Pukekawa, the tuff ring, the circular hill of ash surrounding the explosion crater and the small hill in the centre with the oak trees was the volcano’s central scoria cone. At the top of this cone, Pukekaroa, pushing up through the oak trees, is a totara tree surrounded by a carved palisade. The totara was planted in 1940 by Te Puea Herangi to commemorate the centenary of the signing of the Treaty of Waitangi and to commemorate her grandfather Te Wherowhero who, at the height of the Musket Wars, met here to make peace with the northern tribes.

The War Memorial museum was not the only war memorial in the Domain.